北京航空航天大学学报(社会科学版) ›› 2019, Vol. 32 ›› Issue (1): 130-136.DOI: 10.13766/j.bhsk.1008-2204.2016.0413

• 语言与文学 • 上一篇    下一篇

跨媒介语境下《大都会》的身体符号认知叙事

杨亭   

  1. 西安交通大学 外国语学院, 陕西 西安 710049
  • 收稿日期:2016-11-14 出版日期:2019-01-25 发布日期:2018-05-25
  • 作者简介:杨亭(1966-),男,陕西眉县人,讲师,硕士,研究方向为后现代英美文学名著电影改编的跨媒介叙事.

On the Transmedial and Cognitive Narration of Cosmopolis from the Perspective of Somatic Semiotics

YANG Ting   

  1. School of Foreign Studies, Xi'an Jiaotong University, Xi'an Shanxi 710049, China
  • Received:2016-11-14 Online:2019-01-25 Published:2018-05-25

摘要:

德里罗的小说文本Cosmopolis于2012年被拍成了同名电影。其所呈现的跨媒介叙事性及非自然叙事属性得以在"可然世界"里展现在其读者、隐含读者及受众与隐含受众面前,从而以身体叙事策略探讨了两种文本所试图形塑的原型类型、身份认同或阙如、认知身体符号叙事及其进程乃至忠实性等叙事学、符号学与改编学要件。

关键词: 《大都会》, 德里罗, 跨媒介, 原型与符号, 认知叙事, 身体符号, 非自然叙事

Abstract:

The transmedial narrativity of DeLillo's postmodern fictional and filmed Cosmopolis achieves the somatic narration via its dialogic characters/roles as somatic signs in them, with its unnatural narrative attributes presented before its audience, implied audience and viewers and implied viewers in the possible world:a limousine. Thus its configured archetypes, identity or its void, somatic narration and progression cognitively and even its adaptological fidelity as well as the essentials of narrative, semiotics and adaptology have been staged.

Key words: Cosmopolis, DeLillo, transmedia, archetype and sign, cognitive narration, somatically semiotic narration, unnatural narration

中图分类号: