ISSN 1008-2204
CN 11-3979/C
陈传席, 刘阔. 略论宋代花鸟画的哲学内涵[J]. 北京航空航天大学学报社会科学版, 2020, 33(2): 39-44. DOI: 10.13766/j.bhsk.1008-2204.2019.0440
引用本文: 陈传席, 刘阔. 略论宋代花鸟画的哲学内涵[J]. 北京航空航天大学学报社会科学版, 2020, 33(2): 39-44. DOI: 10.13766/j.bhsk.1008-2204.2019.0440
CHEN Chuanxi, LIU Kuo. On the Philosophical Connotation of Flower and Bird Painting in Song Dynasty[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 39-44. DOI: 10.13766/j.bhsk.1008-2204.2019.0440
Citation: CHEN Chuanxi, LIU Kuo. On the Philosophical Connotation of Flower and Bird Painting in Song Dynasty[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 39-44. DOI: 10.13766/j.bhsk.1008-2204.2019.0440

略论宋代花鸟画的哲学内涵

On the Philosophical Connotation of Flower and Bird Painting in Song Dynasty

  • 摘要: 儒家思想确立了宋代花鸟画的主流审美意识。《宣和画谱》指出花鸟画的意义在于维护社会伦理道德。宋代院体花鸟画的创作体现了儒家"三纲五常"的伦理思想。程朱理学盛行,"格物致知"精神促使花鸟画形成了严谨精细的作风。在道家思想的影响下,宋代花鸟画领域出现了以水墨代颜色的"墨花墨禽"派。宋代禅宗炽盛,出现了禅画,风格简当,随性天真,但却受到宋代主流审美意识的贬斥而处于边缘地位。

     

    Abstract: Confucianism established the mainstream aesthetic consciousness of Song Dynasty flower and bird painting. Xuanhe Painting Manual pointed out that the significance of flower and bird painting lies in the maintenance of social ethics. The flower and bird painting of the Song Dynasty Royal Academy embodied the Confucian ethics of "three cardinal principles and five permanent principles". The popularity of Cheng Zhu's philosophy and the spirit of "knowing things by their nature" had led to a rigorous and meticulous style of flower and bird painting. Under the influence of Taoism, the Song Dynasty flower and bird painting field appeared the "ink flower and ink bird" school which replaced the color with ink. In Song Dynasty, Zen painting was very popular, with simple style and naive nature. However, it was criticized by the mainstream aesthetic consciousness of Song Dynasty, so it was on the edge.

     

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