ISSN 1008-2204
CN 11-3979/C
李韬. 中国艺术观念传播中的语境三要素[J]. 北京航空航天大学学报社会科学版, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442
引用本文: 李韬. 中国艺术观念传播中的语境三要素[J]. 北京航空航天大学学报社会科学版, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442
LI Tao. Three Contextual Elements in Communication of Chinese Art Ideas[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442
Citation: LI Tao. Three Contextual Elements in Communication of Chinese Art Ideas[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442

中国艺术观念传播中的语境三要素

Three Contextual Elements in Communication of Chinese Art Ideas

  • 摘要: 世界文化史表明,任何一种有生命力的文化范式,都要具备相对的独立性和稳定性,同时也要具备绝对的运动性和传播性。艺术观念的传播其背后是深层次的文化传播,诺夫乔伊的观念史研究和斯金纳的新文化史研究均把观念作为一种"单元-观念"或"物"来看待,因而他们提倡的观念史研究的系统性、语境性问题也就难免落入主客二分的窠臼之中。而中国传统审美"神与物游"中的人与物的泯然合一,却使中国艺术中的文化、历史和生命能够趋于统一。

     

    Abstract: The history of culture reveals that independence and stability, as well as motility and transmissibility, are indispensable element of a vital cultural paradigm. The communication of ideas of art implied the communication of culture. Both Arthur O. Lovejoy and Quentin Skinner treated ideas as "unit-idea" and "object", the system and context of which nevertheless fall into the shackle of the subject-object dualism. However, the concept of "Interaction Between the Mind and the Subject Matter" proposed by Chinese traditional culture unified the elements of culture, history and life in art.

     

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