北京航空航天大学学报(社会科学版) ›› 2020, Vol. 33 ›› Issue (2): 51-60.DOI: 10.13766/j.bhsk.1008-2204.2019.0442

• 本期特约专家稿件 • 上一篇    下一篇

中国艺术观念传播中的语境三要素

李韬   

  1. 河南大学 美术学院, 河南 开封 475000
  • 收稿日期:2019-12-23 出版日期:2020-03-25 发布日期:2020-04-01
  • 作者简介:李韬(1980-),男,河南方城人,副教授,博士,研究方向为艺术理论.
  • 基金资助:

    河南省哲学社会科学规划项目(2018BYS003)

Three Contextual Elements in Communication of Chinese Art Ideas

LI Tao   

  1. Fine Arts College of Henan University, Kaifeng Henan, 475000, China
  • Received:2019-12-23 Online:2020-03-25 Published:2020-04-01

摘要:

世界文化史表明,任何一种有生命力的文化范式,都要具备相对的独立性和稳定性,同时也要具备绝对的运动性和传播性。艺术观念的传播其背后是深层次的文化传播,诺夫乔伊的观念史研究和斯金纳的新文化史研究均把观念作为一种"单元-观念"或"物"来看待,因而他们提倡的观念史研究的系统性、语境性问题也就难免落入主客二分的窠臼之中。而中国传统审美"神与物游"中的人与物的泯然合一,却使中国艺术中的文化、历史和生命能够趋于统一。

关键词: 中国艺术, 艺术观念, 传播语境, 文化要素, 生命精神

Abstract:

The history of culture reveals that independence and stability, as well as motility and transmissibility, are indispensable element of a vital cultural paradigm. The communication of ideas of art implied the communication of culture. Both Arthur O. Lovejoy and Quentin Skinner treated ideas as "unit-idea" and "object", the system and context of which nevertheless fall into the shackle of the subject-object dualism. However, the concept of "Interaction Between the Mind and the Subject Matter" proposed by Chinese traditional culture unified the elements of culture, history and life in art.

Key words: Chinese art, idea of art, communication context, elements of culture, life spirit

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