北京航空航天大学学报(社会科学版) ›› 2016, Vol. 29 ›› Issue (1): 104-109.DOI: 10.13766/j.bhsk.1008-2204.2014.0352

• 本期特约专家稿件 • 上一篇    下一篇

谷崎润一郎的唯美主义意识——以《春琴抄》为研究对象

戴玉金1, 吴光辉2   

  1. 1. 龙岩学院 外语系, 福建 龙岩 364012;
    2. 厦门大学 外文学院, 福建 厦门 361005
  • 收稿日期:2014-07-22 出版日期:2016-01-25 发布日期:2016-01-21
  • 作者简介:戴玉金(1971—),女,福建龙岩人,副教授,本科,研究方向为日语语言文学.
  • 基金资助:

    福建省社科项目(2013B088);福建省教育厅项目(JB12270S);福建省"新世纪优秀人才"项目(X170300101);厦门大学外文学院繁荣哲学社会科学特别资助项目(0650-Y07200)

Tanizaki Junichiro's Aesthetic Consciousness: A Case Study of Shunkinsho

DAI Yujin1, WU Guanghui2   

  1. 1. Department of Foreign Languages, Longyan University, Longyan Fujian 364012, China;
    2. Department of Foreign Languages and Cultures, Xiamen University, Xiamen Fujian 361005, China
  • Received:2014-07-22 Online:2016-01-25 Published:2016-01-21

摘要:

作为现代日本著名的唯美主义作家,谷崎润一郎于1933年创作的小说《春琴抄》被视为其回归日本传统审美意识的代表之作。这部小说通过描述女主人公春琴以"残缺"之身而追求"永恒"之美的心理,刻画男主人公佐助崇拜女性、丧失自我的形象,揭示了二者的人格缺陷与唯美追求,突出了一种超越"二元对立"框架,以缺陷与永恒为基准,以审美与女性为主题的唯美主义立场,展现了谷崎润一郎文学的内在的独特魅力与回归日本传统的独有的文化内涵。

关键词: 谷崎润一郎, 春琴抄, 唯美主义, 残缺, 永恒

Abstract:

Shunkinsho, publishedin 1933, is regarded as the representative work of Tanizaki Junichiro, a famous contemporary writer of aestheticism in Japan. The novel indicatesthe writer's return to Japanese traditional aesthetic consciousness. The paper analyzes the heroine, Shunkin, about her pursuit of aesthetics and the hero,Sasuke, his worship of female and loss of self, which reveals their character flaw and pursuit of aesthetics. The paper holds the view that the novel highlights the transcendence of binary opposition by using aestheticism and female as the theme andincompleteness and eternity as the basic standard. The work also reveals Tanizaki's unique literary charm and the cultural connotation of the return to Japanese tradition.

Key words: Tanizaki Junichiro, Shunkinsho, aestheticism, incompleteness, eternity

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