引用本文: | 戴蓓芬. 本雅明的电影美学思想——基于“惊颤”体验的艺术[J]. 北京航空航天大学学报社会科学版, 2019, 32(5): 47-51. doi: 10.13766/j.bhsk.1008-2204.2019.0208 |
Citation: | DAI Beifen. Benjamin's Film Aesthetic Theory Based on the Shock Experience[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2019, 32(5): 47-51. doi: 10.13766/j.bhsk.1008-2204.2019.0208 |