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张公善. 海德格尔对当代美学本体的启示[J]. 北京航空航天大学学报社会科学版, 2004, 17(2): 1-5.
引用本文: 张公善. 海德格尔对当代美学本体的启示[J]. 北京航空航天大学学报社会科学版, 2004, 17(2): 1-5.
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ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
Citation: ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
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海德格尔对当代美学本体的启示

Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics

    摘要
  • 摘要: 海德格尔美学在存在维度上标志着西方现代美学的完成,而在语言维度上又标志着西方后现代美学的开始。海氏美学以存在为本体,来消解认识论美学分裂的人性,这启示人们未来美学必须以完整的人的存在,即以人的生活存在为本体。

     

    Abstract: Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of postmodern aesthetics from language. He looks on being as Noumenon to save human nature divided by epistemological aesthetics, which illuminates that the whole existence of human, ie, man's social life existence, must be the being of future aesthetics.

     

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