ISSN 1008-2204
CN 11-3979/C
LI Tao. Three Contextual Elements in Communication of Chinese Art Ideas[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442
Citation: LI Tao. Three Contextual Elements in Communication of Chinese Art Ideas[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2020, 33(2): 51-60. DOI: 10.13766/j.bhsk.1008-2204.2019.0442

Three Contextual Elements in Communication of Chinese Art Ideas

  • The history of culture reveals that independence and stability, as well as motility and transmissibility, are indispensable element of a vital cultural paradigm. The communication of ideas of art implied the communication of culture. Both Arthur O. Lovejoy and Quentin Skinner treated ideas as "unit-idea" and "object", the system and context of which nevertheless fall into the shackle of the subject-object dualism. However, the concept of "Interaction Between the Mind and the Subject Matter" proposed by Chinese traditional culture unified the elements of culture, history and life in art.
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