WANG Wen-fei. Impersonality of Tension in Elizabeth Bishop-s Poetry[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2010, 23(4): 87-90.
Citation:
WANG Wen-fei. Impersonality of Tension in Elizabeth Bishop-s Poetry[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2010, 23(4): 87-90.
WANG Wen-fei. Impersonality of Tension in Elizabeth Bishop-s Poetry[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2010, 23(4): 87-90.
Citation:
WANG Wen-fei. Impersonality of Tension in Elizabeth Bishop-s Poetry[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2010, 23(4): 87-90.
Elizabeth Bishop, one of the most important poets in the twentieth-century American literary world, is recognized as unique mainly for her objective and the "imaginative" images and the detachment in her poetry. This article attempts to study the tension in Elizabeth Bishop-s poetry based on T. S. Eliot-s "Theory of Impersonality" and to draw a conclusion that Bishop-s tension in poetry comes from two aspects: firstly, her objective imagination; secondly, her evasion of emotion through the revelation of "universal truth" and the strategy of surrealism.
Travisano Thomas. Elizabeth Bishop: her artistic development [M]. Charlottesville: University Press of Virginia, 1988.
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Colwell Anne. Inscrutable houses: metaphor of the body in the poems o f Elizabeth Bishop[M]. Tuscaloosa: The University of Alabama Press, 1997:5.
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Dodd Elizabeth. The veiled mirror and the women poet: H D, Louise Bogan, Elizabeth Bishop, and Louise Gluck[M]. Columbia: University of Missouri Press, 1992.
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