ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
Citation:
ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
Citation:
ZHANG Gong-shan. Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2004, 17(2): 1-5.
Heidegger's Enlightenment on Ontology of Cotemporary Aesthetics
Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of postmodern aesthetics from language. He looks on being as Noumenon to save human nature divided by epistemological aesthetics, which illuminates that the whole existence of human, ie, man's social life existence, must be the being of future aesthetics.
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